In development
Prepared to incorporate a verified formulation.
Short film · Work in progress
El ejecutor
Building a work
Technology is not the project's promotional subject: it is a production tool subordinated to cinematic decisions.
El Ejecutor is a short film conceived to explore cinematic construction through artificial intelligence tools under human audiovisual direction.
The aim is to build fiction through continuity, staging, shot design, composition, cinematography, performance, editing and sound. Direction, structure, cinematic language and narrative decisions belong to the author.
The story in writing
The premise, definitive synopsis and screenplay will not be published until approved editorial versions exist.
Pending
No unapproved plot twists or narrative information are anticipated.
Living process
Original idea, screenplay and direction: Ferney Saavedra.
Designing each gaze
Each shot is approached as a narrative decision, not a technical demonstration.
Camera position, axis, movement and duration construct the psychological relationship between character, space and editing.
The structure and shot-design proposal is by Ferney Saavedra. The process includes wide shots, medium shots, point-of-view shots, tracking shots, dolly outs, walking characters and continuity across pavements and spatial orientations.
Shot sizeCamera positionAxisMovementMatchEyelineSpatial continuityCharacter continuity
Reference → frame → shot → edit
The comparative gallery is structurally prepared but remains outside the public page until verified materials are available.
Juan across two times
Public information avoids revealing unnecessary narrative turns.
Presence and identity
The central character has a specific visual construction that evolves throughout the project.
Hidden face
He appears hooded, dressed in black and with his face concealed. The project also includes secondary female characters whose narrative information is reserved.
Constructing continuity
Coherence between shots is treated both as form and meaning.
LocationDirection of movementClothing and objectsHandsBackgrounds and extrasLightingDistance and pavementsBody orientation
Artificial intelligence and direction
Artificial intelligence participates in materialising the shots. Cinematic construction still depends on human decisions: what to show, where to look from, how long a shot lasts and how it relates to the next.
The project is conceived to be produced entirely through artificial intelligence processes under human audiovisual direction. AI is not presented as a replacement for writing, vision or editing.
- Audiovisual generation
- Kling
- Editing and post-production
- DaVinci Resolve
Sound and music
The soundtrack is understood as narrative structure and connects with the authorial Music & Sound universe.
Voices are performed by Ferney Saavedra. The music is written by Ferney Saavedra and developed with the help of artificial intelligence.
Editing and sound design are part of the narrative process. Certain effects or audio resources may come from licensed libraries such as Envato where appropriate and must be documented in the final version.
Verified credits
- Original idea, screenplay and direction
- Ferney Saavedra
- Structure and shot-design proposal
- Ferney Saavedra
- Voices
- Ferney Saavedra
- Music
- Written by Ferney Saavedra and developed with AI assistance
Work in progress
No fictional percentages: editorial states only.
- Concept
- Completed
- Writing
- In progress
- Visual design
- In progress
- Storyboard
- In progress
- Shot generation
- In progress
- Editing
- In progress
- Sound
- In progress
- Final version
- Pending